![]() ![]() A striking example of this is during Doug's numerous auditions. He's often stood alone with a group of people across from him. Rather than using vast open land or grand ominous interiors, a technique deployed to great effect throughout the history of film, Doug's inferiority is explored in comparison to the company he shares. The production, with limited reserves, manage to capture Doug's solitude through minute details. Doug's isolation is examined by the environment around him. Whether intentional or not, it can be forgiven as a homage that presents parallels between Doug and Arthur Fleck and their awkwardness within society. There's an incredibly thin line when referencing such impactful films, however, this is done subtly and isn't repeated. "It's a comedy") which did make me anxious. There is also a reference to Todd Phillips' JOKER (2019) ("Your life isn't a tragedy". The persistent quick cuts convey a charming integrity. DOUG owes a great debt to BIRDMAN (2014) in its vision and depiction of an ageing actor, circled by the next generation of talent and losing a sense of self-worth. It sets an ambiguous tone for the remaining duration.Īn ingenious showcase of filmmaking that may have otherwise been overlooked. The mood shifts to reflect his confidence, yet Latona manages to sustain an eerie sense that Doug is battling his inner demons. Incidentally, my favourite scene is midway through the film where Doug is seemingly becoming comfortable in his skin. However, this is romanticised, creating an appealing look to the setbacks and inner pain, as though Doug relishes in the chase. ![]() There is a brief scene in which Doug is attacked. The award-winning cinematography serves a broader purpose than to ensure the film is esthetically pleasing. With this in mind, it could be argued that the monochrome setting is a metaphor for Doug's career. A smart spin on the formulaic colour pallet of cinema. DOUG is initially shot in monochrome which immediately establishes negative energy when offset against the juxtaposition of the vibrant city life.įrom that point, the use of colour is used sparingly with negative connotations. Director Jonathan Latona utilizes every tool at his disposal to create an immersive, intelligent picture. and within a year of trepidation and turmoil, I rather enjoyed DOUG. Winner of three awards at this year's Film Invasion Los Angeles, the film's pros weighs greater than its cons, revealing what can be accomplished when having a story to tell and a unique way of telling it.Ī lack of resources shouldn't stifle creativity. Doug Bridgers (Doug Burch) is a worn-down actor looking for a career breakthrough, but as he trudges through an evolving film industry, he only finds more questions. ![]() Resuscitating the film industry, DOUG (2020) won't go down without a fight. Jonathan Latona's full-length feature debut is a tenaciously spirited rush that carries passion in abundance. ![]()
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